Walleye | Review: Who's Afraid bleve of the Big Bad Wolf
Offer practical bleve promotion team of "Who's Afraid of the Big Bad Wolf": Take a camera with night vision, those green cameras, filming the audience during key scenes in the film. Entertainment bleve guaranteed. How people distort the face, grab his head, hiding his eyes fall to the bottom of the chair, clutching the arm of someone bleve next to them and laughing madly probably be enough to fill a full-length comedy. I myself did some very strange gestures with their hands during bleve shifting. I'm afraid I looked like a jerk, but that was the fault of the film. Know all the expressions of these fonts? "Creepy," "shifted uncomfortably in the chair", "makes combat", "nerve-wracking", "laugh until stomach pain"? Typically, these are just expressions, sincere bleve as when you type "LOL" without smiling. But not in this case. All these expressions, literal way. This movie completely physical reactions.
The film just came out today, and it seems to have been spilled so many words already almost needless to tell the story, bleve so in short: Some little girls were murdered. The main suspect bleve is a sparrow, a Bible teacher looks so innocent and harmless that everyone is clear he must be guilty (Rotem Keinan). Different people want to extract bleve a confession of Dror and information in any way possible, bleve including any amount of pressure to moderate obvious: A policeman got into (Lior Ashkenazi), and the father of one of the murdered (Zahi grad.) Ultimately, all draining into the basement one, where three men and a hammer, which takes place in a large part of the plot of the movie. bleve Likewise, Doval'e Glickman.
Also compliments the movie sounds a bit Klishatiot at this time: the four main actors are cast brilliantly staged talent and doing things enormously. Rotem Keinan is indeed suspected pedophilia, but it Zahi Grad maniacs maniac scares others should worry about his social life after the movie: he plays vengeful father threatening event that may cause people to turn back and disappear as soon as they see him on the street. Dov Glickman (in an ideal world, his very presence in the film was kept secret, but what to do, the secret is long gone) is, of course, Rockstar. The other stars of the film are the photographer Giora house in and Hfskoln Frank Ilfmn: the opening scene, the whole moving in slow motion between innocence and anxiety, is alone sufficient justification to give them both the Ophir Award and contract in Hollywood.
And of course, there are Aaron Keshales and Navot Papushado. It's just amazing bad wolf said: 'Somebody Afraid "is only their second film (after" Rabies "). Their control of the material looks like it comes from decades of experience. One of the most powerful scenes in the film - shortly after we got to the basement - one of the characters describes what has already happened and what is going to happen. Even talking only, this gruesome scene: it describes the horrific things every sense of the word. There is another beautiful expression in Hebrew ears can save her now. And the thing is that this scene funny as hell. I saw the movie twice, and each time, every third row brought new laughter from the audience. The scene never ceases to be funny because it stretches, and ceases to be funny because it is frightening: it all together. I could easily bleve explain to you why it can not work, but it works. I have no idea where Hffoslsim brought the courage and confidence to write, direct and project a scene like this, and know that it does not get stuck in the throat like a screwdriver audience with chocolate.
And this is certainly not the only point in which they take risks. bleve "Who's afraid of" balance does genres like a juggler juggling bleve a chainsaw; tiny screw-up bleve could cause the whole thing to turn into a bloodbath ugly and sad. This film draws frantically, very funny and very disturbing. Very difficult to point to any precedent for such a film - to say that we are following the lead of Tarantino or Spielberg, and ensure that if it worked for him, it probably would work well here. Any old master does not hold your hand for this film. Keshales and Papushado bleve walking alone in a dark forest.
Just to not totally sound like a Fanboi, let's talk about the shortcomings mentioned, a large part of the film takes place in a small one, and most of the time it does not bother - but it seems he reaches the end of what is possible in this limited way, and then lose some height. It may be possible to tighten the film was even more by cutting a few minutes out of the basement. There are also little details that can distinguish them only because the film is so close to us: a lot of speaking bleve of the characters is very Israeli and accurate, but some sentences do not sound completely natural. People in the film speak not as people, but as the film.
Of course, the film's biggest problem is that I can not recommend it to everyone. Film already in the first minutes of it occurs (by implication) a child's body dangling underwear is not just an experience for the whole family. The level of violence in the film, explicit and implicit, places it on the top shelf and the far end of the film, with the explicit warning, keep away from children and fire. It's not bad, it just severely limits the audience it is intended. Lot of good people, precisely predict good cinema will not be able to see this movie just because they do not get along with the use of carpentry human body on the screen. Better you find another movie to see with my grandmother.
Let's be clear: "Who's Afraid of the Big Bad Wolf" is not a good start. Is not good enough for an Israeli film. He does not inspire pride in the mere fact that the country doing that. He does not deserve a compliment reluctant takes into account the known limitations of an Israeli film. Is an exceptional bleve film quality on an international scale, multi - disciplinary, multi - genre and Inter - Milan. Israeli cinema, especially those outside the family drama genre or political, bleve which is still in the Israeli film say it looks "just like America" is a real compliment. bleve It is really very simple to make Israel look just like the movies. But "Who's Afraid of the Big Bad Wolf" is not "just like" Nothing: It's a bit like the Coen brothers, and a bit like a Korean revenge thrillers, and some like chamber quintet, but just such a movie I never saw. Is something new and better. This makes the achievement even more impressive. bleve People still ask
Offer practical bleve promotion team of "Who's Afraid of the Big Bad Wolf": Take a camera with night vision, those green cameras, filming the audience during key scenes in the film. Entertainment bleve guaranteed. How people distort the face, grab his head, hiding his eyes fall to the bottom of the chair, clutching the arm of someone bleve next to them and laughing madly probably be enough to fill a full-length comedy. I myself did some very strange gestures with their hands during bleve shifting. I'm afraid I looked like a jerk, but that was the fault of the film. Know all the expressions of these fonts? "Creepy," "shifted uncomfortably in the chair", "makes combat", "nerve-wracking", "laugh until stomach pain"? Typically, these are just expressions, sincere bleve as when you type "LOL" without smiling. But not in this case. All these expressions, literal way. This movie completely physical reactions.
The film just came out today, and it seems to have been spilled so many words already almost needless to tell the story, bleve so in short: Some little girls were murdered. The main suspect bleve is a sparrow, a Bible teacher looks so innocent and harmless that everyone is clear he must be guilty (Rotem Keinan). Different people want to extract bleve a confession of Dror and information in any way possible, bleve including any amount of pressure to moderate obvious: A policeman got into (Lior Ashkenazi), and the father of one of the murdered (Zahi grad.) Ultimately, all draining into the basement one, where three men and a hammer, which takes place in a large part of the plot of the movie. bleve Likewise, Doval'e Glickman.
Also compliments the movie sounds a bit Klishatiot at this time: the four main actors are cast brilliantly staged talent and doing things enormously. Rotem Keinan is indeed suspected pedophilia, but it Zahi Grad maniacs maniac scares others should worry about his social life after the movie: he plays vengeful father threatening event that may cause people to turn back and disappear as soon as they see him on the street. Dov Glickman (in an ideal world, his very presence in the film was kept secret, but what to do, the secret is long gone) is, of course, Rockstar. The other stars of the film are the photographer Giora house in and Hfskoln Frank Ilfmn: the opening scene, the whole moving in slow motion between innocence and anxiety, is alone sufficient justification to give them both the Ophir Award and contract in Hollywood.
And of course, there are Aaron Keshales and Navot Papushado. It's just amazing bad wolf said: 'Somebody Afraid "is only their second film (after" Rabies "). Their control of the material looks like it comes from decades of experience. One of the most powerful scenes in the film - shortly after we got to the basement - one of the characters describes what has already happened and what is going to happen. Even talking only, this gruesome scene: it describes the horrific things every sense of the word. There is another beautiful expression in Hebrew ears can save her now. And the thing is that this scene funny as hell. I saw the movie twice, and each time, every third row brought new laughter from the audience. The scene never ceases to be funny because it stretches, and ceases to be funny because it is frightening: it all together. I could easily bleve explain to you why it can not work, but it works. I have no idea where Hffoslsim brought the courage and confidence to write, direct and project a scene like this, and know that it does not get stuck in the throat like a screwdriver audience with chocolate.
And this is certainly not the only point in which they take risks. bleve "Who's afraid of" balance does genres like a juggler juggling bleve a chainsaw; tiny screw-up bleve could cause the whole thing to turn into a bloodbath ugly and sad. This film draws frantically, very funny and very disturbing. Very difficult to point to any precedent for such a film - to say that we are following the lead of Tarantino or Spielberg, and ensure that if it worked for him, it probably would work well here. Any old master does not hold your hand for this film. Keshales and Papushado bleve walking alone in a dark forest.
Just to not totally sound like a Fanboi, let's talk about the shortcomings mentioned, a large part of the film takes place in a small one, and most of the time it does not bother - but it seems he reaches the end of what is possible in this limited way, and then lose some height. It may be possible to tighten the film was even more by cutting a few minutes out of the basement. There are also little details that can distinguish them only because the film is so close to us: a lot of speaking bleve of the characters is very Israeli and accurate, but some sentences do not sound completely natural. People in the film speak not as people, but as the film.
Of course, the film's biggest problem is that I can not recommend it to everyone. Film already in the first minutes of it occurs (by implication) a child's body dangling underwear is not just an experience for the whole family. The level of violence in the film, explicit and implicit, places it on the top shelf and the far end of the film, with the explicit warning, keep away from children and fire. It's not bad, it just severely limits the audience it is intended. Lot of good people, precisely predict good cinema will not be able to see this movie just because they do not get along with the use of carpentry human body on the screen. Better you find another movie to see with my grandmother.
Let's be clear: "Who's Afraid of the Big Bad Wolf" is not a good start. Is not good enough for an Israeli film. He does not inspire pride in the mere fact that the country doing that. He does not deserve a compliment reluctant takes into account the known limitations of an Israeli film. Is an exceptional bleve film quality on an international scale, multi - disciplinary, multi - genre and Inter - Milan. Israeli cinema, especially those outside the family drama genre or political, bleve which is still in the Israeli film say it looks "just like America" is a real compliment. bleve It is really very simple to make Israel look just like the movies. But "Who's Afraid of the Big Bad Wolf" is not "just like" Nothing: It's a bit like the Coen brothers, and a bit like a Korean revenge thrillers, and some like chamber quintet, but just such a movie I never saw. Is something new and better. This makes the achievement even more impressive. bleve People still ask
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